Katasumi (released as In a Corner in the US) and 4444444444 (or "Ten Fours") are two 1998 short Japanese horror films both directed by Takashi Shimizu, related to the Ju-on series.
atasumi begins with two Japanese schoolgirls (revealed to be Kanna and Hisayo in the first Ju-On film) who are caring for their school's rabbits.
They are sweeping out the cages and feeding the animals when Kanna cuts
her hand, and Hisayo leaves her to go into the school and fetch a
bandage.
When she returns, Kanna is nowhere to be found. The rabbit cages are
empty, and bits of blood and fur are strewn about. Hisayo then sees
something that looks like a crawling woman (Kayako) begin to move
towards her from the far side of the backyard. As she backs into a
corner, she finds the body of Kanna amongst the debris from the damaged
rabbit cages. She holds a trowel up defensively in front of herself
while Kayako closes in upon her. Kanna then moves her bloody head, and
looks on as the frightened Hisayo cowers in the corner and waits. The
screen fades to black.
4444444444 opens with a young man (revealed to be named Tsuyoshi in the first Ju-On
film) riding his bicycle home. As he rounds a corner in front of an
apparently abandoned building, he begins to hear a cell phone ringing,
though he cannot see it. He hunts through a garbage pile next to the
darkened entrance to the building, finding the phone after several
rings. Upon closer examination, the phone is displaying an incoming call
from the number 4444444444 (the numeral "4" is symbolic of bad luck in
many Asian cultures, a phenomenon that is known as tetraphobia.).
Tsuyoshi answers the phone to hear rasping, cat-like sounds issue from
the earpiece. After unsuccessfully attempting to communicate with the
unknown caller, he hangs up.
Seconds later, the phone rings again, and again he answers. Tsuyoshi
is getting frustrated at this point, and begins to look a little
worried, as though someone might be playing a joke on him. As he sits on
the steps in front of the deserted building, he continues to try to
identify the caller. Looking around nervously, he asks, "Are you...
Watching me?" Suddenly, a voice replies, "I am," though it does not come
from the phone. Tsuyoshi turns slowly to see a pale boy (Toshio) beside
him, drumming white fingers on his knees. Tsuyoshi looks startled, and
the camera lingers on Toshio for a moment before zooming in quickly
while he opens his mouth in a cat-like scream as a black substance drips
from it.
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